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Following gothic sculpture and painting - Series of Creative Lessons for Art Education at Primary School.
JUNGOVÁ, Diana
The diploma thesis "Following gothic art - Series of Creative Lessons for Art Education at Primary School" is divided into theoretical and project part. The theoretical part concists of three chapters. In the first chapter we will focus on introduction to the theme of Gothic art and culture. We will get acquainted with the culture and society of the High and Late Middle Ages, with the medieval aesthetics and view of art. We will also get acquainted with the main artistic features of Gothic style and the development of Gothic art in Europe. The aim of this chapter is a factual insight into the topic of Gothic art, designed for the needs of primary teachers and the didactic application in the practice of art education. The second chapter will introduce the possibilities of working with the theme of Gothic art in connection with the Framework Educational Program. The final chapter of the theoretical part introduces the possibilities of working with the given topic in the teaching of art education and it acquaints with didactic and methodical materials that deal with the topic of Gothic art. The project part introduces eight lessons of the art series, which demonstrate a practical understanding of the topic of Gothic art in the teaching of art education at primary school.
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Bohemian Embroideries from the period of the House of Luxembourg
Čihánková, Ivana ; Otavský, Karel (advisor) ; Martinek, Radek (referee)
Ivana Čihánková České výšivky z doby vlády Lucemburků Bakalářská práce Abstract The title of the dissertation: Bohemian Embroideries from the Period of the House of Luxembourg In the second half of the 14th century and at the beginning of the 15th century Bohemian embroidery was on a very high level, embroideries made in the Bohemian workshops were ordered by kings, noble families, church dignitaries and burghers for the churches and cathedrals on the whole territory under the rule of the House of Luxembourg. The aim of the offered bachelor dissertation is to describe the period and environment in which the embroideries were created, techniques and materials then used and connections of the embroideries with the other branches of art in the period. The first part of the dissertation deals with significance and use of embroidery under the Luxembourg rule and presents nowadays known information about embroiderers and embroidery techniques. The other part contains the descriptions of seventeen embroideries which preserved in this country and abroad, analysis of their iconography and historical links with other works of art, especially with panel painting and manuscript illuminations. Keywords Gothic art - applied arts - embroidery - Bohemian Gothic embroidery.
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Sacred space - In the era of gothic thinking, art and architecture
Sobek, Jiří ; Veverková, Kamila (advisor) ; Royt, Jan (referee)
The thesis entitled Sacred space in the era of Gothic thinking, art and architecture deals with a certain specification of the sacred space, the function and meaning of the medieval church, events leading to the beginnings of Gothic art which left its imprint on the general medieval art and whose influence radiates from the 12th century and ends in the 15th century An essential part of the text is dedicated to using the given rules in the sacred space of the castle Karlstein.
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House of Arts
Jihomoravské muzeum ve Znojmě
Propagační skládačka seznamuje návštěvníky města Znojma s objektem Domu umění, jeho historií od renesance po současnost a s muzejními expozicemi, které jsou v něm umístěny.
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Richard Moest, author-forger of the Klosterneuburg Virgin and Child on a Lion?
Hlobil, Ivo
The paper recapitulates in detail the long debate and the different views on the authenticity of the Klosterneuburg Madonna (National Gallery Prague) as major work of Master of Michle Virgin and Child from around 1345. The paper's author bring new arguments for the carving's authenticity. He believes that the Klosterneuburg Virgin and Child on Lion was originally part of the choir stalls in a church in Moravia or Bohemia.
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Haptic model displaying the Saint Augustine for visually impaired people
CHARVÁTOVÁ, Tereza
This master thesis is composed of two sections, a theoretical and a practical one. The first chapter of theoretical part is focused on medieval European art with emphasis on a medieval artist and a wall painting. Next chapter describes ascetic life through religious order and their significant personalities. This part is primarily focused on a life of saint Augustin. The third chapter is about a project of Department of art which is focused on a creation of haptic models for sightless people and it describes its outputs. The practical part introduces a creation of haptic model according to a wall drawing of saint Augustin. This drawing is placed in cloister of a former Dominican monastery in České Budějovice. It represents a final conception of unordinary haptic model which is created in an embossed linear drawing.
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Medieval Mural Paintings in Southwest Bohemia (Districts Klatovy, Prachatice, Strakonice)
Faktor, Ondřej ; Royt, Jan (advisor) ; Hlobil, Ivo (referee) ; Všetečková, Zuzana (referee)
Medieval Mural Paintings in Southwest Bohemia (Districts Klatovy, Prachatice, Strakonice) ABSTRACT The thesis focuses on medieval mural paintings preserved in the forty five monuments in the region of southwest Bohemia, i.e. in the three main districts: Klatovy, Prachatice and Strakonice. The core of the thesis is an extensive catologue of the paintings covering the period from the 13th to the 16th centuries which represents first comprehensive treatment of the matter of the region in question. The main focus of the thesis is description of the paintings, their art historical evaluation and complex reconsideration of the literature to the subject including revision of the older proposals. In addition, an introduction of so far neglected, wrongly interpreted and newly discovered paintings contribute to the wide art-historical discussion. Keywords Gothic art, mural paintings, church, castle, chapel, southwest Bohemia, Prácheň region, donor, Bavors of Strakonice, Švihovský of Rýzmberk, Rosenbergs, Knights Hospitallers of St John, Knights of St. John Commendam in Strakonice
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Sacred space - In the era of gothic thinking, art and architecture
Sobek, Jiří ; Veverková, Kamila (advisor) ; Royt, Jan (referee)
The thesis entitled Sacred space in the era of Gothic thinking, art and architecture deals with a certain specification of the sacred space, the function and meaning of the medieval church, events leading to the beginnings of Gothic art which left its imprint on the general medieval art and whose influence radiates from the 12th century and ends in the 15th century An essential part of the text is dedicated to using the given rules in the sacred space of the castle Karlstein.
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Bohemian Embroideries from the period of the House of Luxembourg
Čihánková, Ivana ; Otavský, Karel (advisor) ; Martinek, Radek (referee)
Ivana Čihánková České výšivky z doby vlády Lucemburků Bakalářská práce Abstract The title of the dissertation: Bohemian Embroideries from the Period of the House of Luxembourg In the second half of the 14th century and at the beginning of the 15th century Bohemian embroidery was on a very high level, embroideries made in the Bohemian workshops were ordered by kings, noble families, church dignitaries and burghers for the churches and cathedrals on the whole territory under the rule of the House of Luxembourg. The aim of the offered bachelor dissertation is to describe the period and environment in which the embroideries were created, techniques and materials then used and connections of the embroideries with the other branches of art in the period. The first part of the dissertation deals with significance and use of embroidery under the Luxembourg rule and presents nowadays known information about embroiderers and embroidery techniques. The other part contains the descriptions of seventeen embroideries which preserved in this country and abroad, analysis of their iconography and historical links with other works of art, especially with panel painting and manuscript illuminations. Keywords Gothic art - applied arts - embroidery - Bohemian Gothic embroidery.
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Investigation of Madonna in the travel altar of Robert of Anjou from the collection of moravian gallery in Brno
Fogaš, I. ; Wörgötter, Z. ; Hradilová, J. ; Hradil, David ; Zikmund, T. ; Kaiser, J.
An exceptional Gothic work of art, a travel altar of Robert of Anjou, is one of those donated by John II of Liechtenstein to the Franz Museum in Brno in 1896. Light has been newly shed on the circumstances of Prince's acquisition of the altar; it refuted the thoughts about the altar's Central European provenance, because as it is being documented, the purchase took place directly in Florence in 1890. It has been recorded already back then that the Tabernacle is complemented by a (damaged) statuette of Black Madonna made of Carrara marble. The description of its damage, secondary additions and polychromy construction was the main aim of the artwork's survey by non-invasive methods (mobile XRF, computed tomography); on the basis of their results, a careful micro-sampling has been performed followed by material analysis. Most importantly, it was found out that the material of the statue is not Carrara marble, but an alabaster, which is not in disagreement with the assumed provenance (northern Italy), but due to its weight and fragility, the statuette could only hardly be an original part of the altar. Concurrently, the analysis of the oldest layers of polychromy proved that the Madonna has not been originally black and that this adjustment has been executed secondarily and intentionally.
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